Book Review: Sparrow Road by Sheila O’Connor

Sparrow Road cover imageTwelve-year-old Raine O’Rourke has no idea why her mother suddenly whisked them away from their home in Milwaukee to take a summer job in Michigan. Sparrow Road is a refuge for artists where they can pursue their craft without distractions. This means no speaking during the day, no television, no children and no noise. The owner is a mysterious, creepy guy named Viktor, and Raine can’t wait to call her grandpa to take her back home.

But as she gets to know the artists and the area, Raine comes to love the peaceful days and the chance she gets to wander freely and write stories. She also sets out to discover the mystery surrounding why she and her mom came to Sparrow Road, and in the process, she discovers a secret that will change everything.

Sparrow Road by Sheila O’Connor is a beautifully told coming of age story that I found myself savoring as I read. Raine is at an age where she resists changes to her way of life, but she’s also open to new possibilities. Her city life was insulated, and in the quiet safety of Sparrow Road, we see her blossom. The long summer days give her lots of time to study the people around her, think about her own life, and spend time on creative pursuits. As summer ends, it seems that Raine will know what choice she needs to make going forward.

While Sparrow Road starts off like a mystery, it unfolds gently and satisfyingly as it morphs into a story about family, friendship, self-discovery and forgiveness. I highly recommend it for mother-daughter book clubs with girls aged 9 to 12 or even up to 14.

Book Review: The Sweetest Thing by Christina Mandelski

The Sweetest Thing cover imageThere’s nothing more Sheridan Wells loves than decorating cakes. She’s got a talent for creating just what a cake needs to look perfect before it’s shuttled off to a party. Unfortunately, the rest of her life is not so perfect. Her dad is a well-known chef who’s been offered his own cooking show. But he’d have to move from their small Michigan town to New York to do it.

Sheridan doesn’t want to leave her friends or her Nanny behind. Plus, she’s dating a guy she’s had a crush on for years, and she’s sure her mom, who left home years ago and hasn’t been in touch much since, is going to come home any day. Sheridan has to be there when she does.

The Sweetest Thing by Christina Mandelski is perfect for teen fans of TV shows like “Cake Boss,” “Ace of Cakes” and “Ultimate Cake Off.” Descriptions of Sheridan’s decorating will make you hungry for cake, but you’ll also see how she throws herself into her work to avoid dealing with other issues in her life. She used to be close to her dad, but now they’re more often upset with each other. Her best friend, Jack, may have a crush on her, and he definitely doesn’t approve of her new boyfriend. She’s afraid to develop any talents outside of decorating cakes, because that’s something she shared with her mom.

Finally, Sheridan has to face up to all of her issues even though accepting the truth may be painful, unsettling, and full of uncertainty. The Sweetest Thing is a good choice for mother-daughter book clubs with girls aged 14 and up.

 

 

Tips for Staging Rut-Busting Book Club Discussions

It’s easy to settle into a routine with your book club when it’s time to discuss the book. We’re all creatures of habit, and there’s something comforting about knowing what to expect when you show up at your reading group meeting. Routine has the advantage of making it easier for you when you’re the one in charge of leading the discussion, too. If you follow an established formula, you can be relatively sure that book talk will go smoothly.

Yet sometimes following an expected pattern can get boring, and your predictable group may run the risk of its members losing interest. That’s why it’s good to liven up your discussions every now and then. Here are a few ideas for ways to bust out of your meeting ruts and get everybody energized.

  1. Ask members to bring something to share—when one of the members of my reading group assigned poetry to read one month, she also gave us an assignment: write at least one poem of any type and read it at the meeting. This got us talking about the kinds of poetry we liked, our favorite poets, and why we chose to write the poem we wrote in the style we chose. Discussion was vibrant and lasted a couple of hours. You could also ask members to bring an object that symbolizes something in the book they want to talk about. Then let each person present her object with the topic to discuss.
  2. Create a visual focus—set up a display pad  and ask people to shout out traits they liked or disliked about the main character while you write down the list. Use your list to discuss how those traits affected the action in the book. Another idea is to list two columns: one of things people in your group have in common with the main character, the other of things that are different.
  3. Borrow a page from the theater crowd and start with a warm-up exercise. A common one that’s sure to get everyone laughing and lead into discussion is the game of telephone. Choose a sentence from the book that starts a passage you’d like to discuss. Whisper it into the ear of the person sitting next to you, and have her whisper it to the person next to her and on around your circle. Have the last person repeat to the group what she heard.
  4. Ask out of the ordinary questions that will get your members thinking differently. For instance, you could ask, “What kind of books do you think the main character likes to read?” “What do you think happens after the book ends?” “What will you remember about this book a year from now?
  5. Toss a beanbag to encourage participation. You can start off by holding the beanbag and asking a question you’d like everyone to answer. When you’re done, toss the bean bag to someone else in the group and ask her to pose the next question. Continue around until everyone has a chance to lead a discussion point.

These ideas may just get your own creative juices swirling enough for you to come up with lots more rut-busting ideas of your own. Just remember your goal: to create engaging lively discussions that leave your members looking forward to your next book group meeting.

 

 

Interview with Kim Culbertson, Author of Instructions for a Broken Heart

Kim Culbertson photoYesterday I reviewed Instructions for a Broken Heart, a young adult novel by Kim Culbertson. Today, Kim answers a few questions for readers at Mother Daughter Book Club. com.

How did you decide to become a writer?

KC: I feel like writing is something that chose me.  I have always felt like it was as much a part of me as being a reader or an athlete—it’s just something that makes up the fabric of me.  Being a writer is a mindset—it’s a point of view.  I talk about Point of View in my monthly newsletter a lot.  It’s the way we see the world and it’s wholly unique to each person.  I tell my students all the time—you’re a writer if you feel that you’re a writer.  Being published doesn’t make you a writer.  But, of course, becoming a writer who gets paid for writing is a whole other thing.  I decided to head down that path about ten years ago when Cicada published my first short story.  I remember getting a check for that story and thinking, “Hmmmm, that’s really cool.”

In both of your books, Songs for a Teenage Nomad and Instructions for a Broken Heart, you write about teens who are dealing with difficult issues. Do you think the teenage years in general are a challenging time of life? If yes, how so?

KC: Oh, for sure they are. They are this amazing, huge time—a time where they are climbing out of that childhood nest and peeking out onto the adult landscape. I’ve taught high school for 14 years and I think teenagers are the most remarkable of creatures. They are so passionate and idealistic and have dreams but they also still love the warm, small space of being a child. I think it’s the bumping together of those two worlds that creates all the tension.

Songs are also woven throughout your writing. Do you think music has a role in helping people cope or figure things out?

KC: I think songwriters are our culture’s high profile poets (especially good songwriters). I think teens especially really cling to their music because it provides some analysis and insight into that adult landscape I was discussing before. They can listen to a song and say, “oh, other people feel broken-hearted or afraid or angry or happy—me too” and it gives them a connection to a more universal experience. I think reading does this too but it’s not quite as immediate as a song.

I understand you teach high school. What do you like about teaching teens?

KC: As I mentioned, I find teenagers just a wonderful source of energy and light. I love my students—they can passionately discuss a novel in class and then get really worked up that someone sat in their seat. They’re on this cusp and I love getting to hang out on that cusp with them.

What are the challenges?

KC: I want so much for them to love literature and see all the things in it that I see which is totally unfair because I’m 36 years old—I’ve already gone through so many things that help me navigate a novel in a different way than they do. I have to always remind myself to hold back and let them experience it in the way that makes sense at 17, and it reminds me of that profound feeling of understanding something for the first time in a really individual way. I prefer to be the kind of teacher who acts as a “guide on the side” not a “sage on the stage” but it’s hard not to jump in and “tell” them everything I want them to know. I find, though, that this is the most amazing thing because when they have the space to tell me what they’re seeing in a book—I get to learn that book in this whole new, interesting way.

Have you ever led a group of students on a major trip like the one in Instructions for a Broken Heart?

KC: Another teacher and I took 16 students to Italy when I was a second year high school teacher. It was a thoroughly incredible trip. I watched so much eye-opening going on during that trip (including my own) about what it meant to be a traveler in this world, what it meant to see and smell a place for the first time.  It was an amazing trip.

Instructions is part travelogue as well, with Italy starring in a supporting role. Have you been to the places you described in your book?

 

KC: I pretty much used the exact footprint from the trip I took with my students. I changed pretty much everything else, but the footprint stayed the same.

What do you think people can learn when they travel to places outside the norm for them?

KC: I think traveling to a new place takes a person outside of her comfort zone and this just creates more space for self-reflection. For me. That’s just the way I’ve experienced it. That might not be true for other people  I find if I am really chewing on a huge decision I need to go somewhere a bit out of my normal loop and somehow that new geography lets me rethink things.

Jessa and all the kids from her school on the trip are in the drama club. Do you think actors are more likely to be more emotional?

KC: I don’t think they’re more emotional, per se—I think they might tend to be a little more willing to lay it all out there for people  In my high school teaching experience, I’ve found that all kids have that emotional piece—some just don’t like showing it off. Many of my high school actors have been more comfortable putting it out there for people to see. However, it’s not across the board. I’ve had plenty of student actors who save their drama for their characters and really don’t put their personal life on display. I think it’s really about personality.

Is there anything else you’d like to say to readers at Mother Daughter Book Club . com?

KC: I want to just thank you, Cindy, for all you do for readers and authors—you’re the best!!

Book Review: Instructions for a Broken Heart by Kim Culbertson

Instructions for a Broken Heart cover imageJust before she’s set to leave for Italy with her high school drama club, Jessa catches her boyfriend, Sean, making out with another girl. Going on the trip is harder than she thought it would be, especially because Sean and his new girlfriend are also part of the drama club.

So she sets out to get over Sean with the help of her best friend, Carissa, who has sent along instructions for Jessa to do one thing each day of her trip that takes her out of her comfort zone and onto the path of getting over Sean.

Instructions for a Broken Heart by Kim Culbertson takes Jessa on a journey of discovery about herself and the people around her. And while I think I could recover from a broken heart quite nicely while traveling around Italy, Culbertson paints a picture of how it could be a challenge too. Everywhere Jessa looks she sees people who appear to be in love. And everywhere she goes she would love to share her observations about the people and the countryside with someone she cares about.

As Jessa takes on each instruction, she discovers that relationships can’t necessarily be taken at face value, and people are more complicated that the veneers they display to the world. As she recognizes what was good and what was bad in her just-ended relationship, Jessa also learns how she wants to go forward. Culbertson does an excellent job of capturing the sense of insecurity that comes from rejection and the volatility and stress that many teens experience.

There are lots of issues for mother-daughter book clubs with girls aged 14 and up to discuss in Instructions for a Broken Heart. How do you maintain your sense of self when you date someone? How do you keep self-confidence when a relationship ends? How do you determine if your activities support your passions or other people’s expectations of you? Did I mention you’ll want to travel to Italy as a group too? Culbertson’s descriptions of the places Jessa’s group visits will definitely have you longing to pack your bags. At the very least, you’ll be inspired to go out for gelato while you talk about this book.

Check back tomorrow when author Kim Culbertson answers questions about her writing life and her book. You may also want to check out the book trailer; access it from the author’s website: KimCulbertson.com.

Publisher Sourcebooks provided me with a copy of this book to review.

Book Review: The Time-Traveling Fashionista by Bianca Turetsky

The Time-Traveling Fashionista cover imageLouise Lambert loves vintage clothing. Even though her mother and her best friend think she’s crazy not to want something new, she loves the feeling of mystery that she gets from the unknown stories she senses in each piece.

When an invitation arrives at her home for the Traveling Fashionista Vintage Sale, Louise is sure that will be a great place to look for something to wear to the seventh grade dance. But when she tries on a beautiful pink dress that smells vaguely of the sea, she’s surprised to find herself experiencing life in the body of the original owner aboard a luxury cruise liner in 1912.

At first Louise is happy to leave her unglamorous life behind for the luxury she experiences on board, but when she finds herself longing for her old life, she’s not sure how to get home.

The Time-Traveling Fashionista by Bianca Turetsky is the first in a new series about Louise and the adventures she finds through her love of fashion. Louise experiences lots of the normal angst 12-year-old girls go through—she’s embarrassed about smiling in her braces, she wishes her breasts would grow, and she’d love to feel more confident in herself.

Even if you’re not interested in vintage clothing, you’ll be drawn in by Louise’s appreciation for the styles and quality of the clothes she seeks. And her historical adventure in the early 1900s is fun to follow, especially as the reader can figure out where Louise is, but she doesn’t know right away.

Fashion illustrator Sandra Suy beautifully renders pictures throughout the book of Louise and the dresses she wears. Mother-daughter book clubs with girls aged 11 and up can talk about how the clothes you wear can make a difference in how you feel about yourself. They can also discuss their own relation to fashions and what they hope their clothes convey about them, as well as the division of social classes in the early 1900s. I recommend it.

You can also check out the book’s website for lots of great information and activities.

Publisher Poppy provided me with a copy of this book for review.

Book Review: Marshfield Dreams by Ralph Fletcher

Marshfield Dreams imageChildren’s author Ralph Fletcher seemed to live an ideal life for a child. The oldest of a large clan in the small town of Marshfield, Massachusetts, Fletcher had nearby woods to roam in, numerous bothers and neighbors to recruit for games, and parents who loved him. Fletcher recounts stories from his young days in Marshfield Dreams: When I Was a Kid.

Like Fletcher’s other books, this memoir is written for young readers aged 9 to 12. But moms and dads (and younger kids too) will be equally charmed and drawn in by accounts of mud puppies, raising chickens, new babies arriving almost every year, and bouts of chicken pox and mumps. As I read I found myself wanting to visit Fletcher’s home on Acorn St. myself and explore all the areas he talked about. Reading Marshfield Dreams with your child could bring up stories to share from your own childhood. Kids of today are likely to marvel at the relative freedom children had growing up in the ‘60s and the amount of time many of them spent outdoors.

The chapters are short and accessible. It’s also fun to look at the family photos that appear at the start of each chapter. Fletcher’s family moved away from Marshfield to Chicago when he was 13. This tribute to his boyhood home shows how much his life on Acorn St. continues to live on in his memory.

Interview with Rae Meadows, Author of Mothers and Daughters

A couple of weeks ago I reviewed Mothers and Daughters by Rae Meadows, a book about the complex relationship between three generations of women and their daughters. Today, I’m excited to feature a Q and A with Meadows and her mother, who talk about the mother-daughter relationship as well as the book.

Rae Meadows photo Jane Meadows photo

Rae Meadows and her mom, Jane.

Jane, after reading Rae’s novel, do you feel like you have a different sense of the complexity of the relationship between the two of you? Rae, did you think differently of your relationship with your mother after you had spent so much time with Iris, Sam, and Violet?

Jane: I have always thought my relationship with Rae was pretty straightforward. However, it occurred to me at one point while reading Mothers and Daughters that since Rae’s characters had complicated relationships with their mothers, that perhaps complexity had been part of our relationship, at least for her, and that I had been unaware of its presence. The self-reprimand soon followed that if indeed this was a factor, then I should have caught it and tapped into it.

Rae: My mom and I have had a remarkably un-fraught relationship, but I did think about her often while I was writing this book. She has lived so much life—she’s a beautiful and amazing eighty-one—and I think in pondering questions for the characters, it made me wonder what it would be like to see my mom as a young single woman or newly married or a first-time mother. This past Christmas she mentioned that she once had dated a professional hockey player named Moose, and I was reminded of how even though I have heard a lot of stories about her life, there is an endless supply of things I don’t know.

Do you think (as Iris mentions) that having children is a way to try and understand one’s own mother? Jane, did you learn a lot about your mother when you had children? Rae, did you?

Jane: Perhaps many might find this to be helpful, but personally I never sought to better understand my mother. I didn’t need to. She was an honest, loving, demonstrative being whom I loved and trusted.

Rae: Although for me it wasn’t a conscious thing, I feel like I have learned so much about my mom since becoming a mother. That intense, unfailing love mixed with worry that she exuded is something I know now on a gut level. My mom had breast cancer when her daughters were eight, five, and three, and I don’t think I fully understood what strength and courage this required until I became a mother and tried to imagine myself in the same position.

The existence of the orphan trains is such a fascinating, yet seemingly forgotten part of American history. Rae has said that you introduced her to the subject, Jane, which sparked her to write Mothers and Daughters. How did you hear about the orphan trains? What was your initial reaction to this piece of history?

Jane: I was waiting for Rae to arrive at the airport in Cleveland, and I struck up a conversation with the woman sitting next to me who was also waiting for her daughter. She mentioned that her daughter had done some research on the Orphan Train Movement of the early part of the twentieth century. I had never heard of the orphan trains and was fascinated and full of questions. I, of course, relayed all this to Rae in baggage claim.

Rae: And good thing she did! I didn’t know at the time that the orphan trains would be the basis for my next novel, but I knew instantly they had rich narrative possibilities and I needed to find out more.

As Rae was writing Mothers and Daughters, did she come to you for advice? If not, what kind of advice would you have given her in writing about a mother-daughter relationship? Rae, what advice was the most helpful to you in developing these complex characters?

Jane: Rae is an inspired, gifted writer who needed no advice about writing Mothers and Daughters. The only advice I’d have given her, had she asked, is the same advice I would have given her had she been writing about balloons: make the characters interesting and make it a good story. She seems to have done exactly this without anyone’s help.

Rae: Although I didn’t seek advice exactly, I did use details from my mom’s life in developing these characters. For instance, I remember my mom telling me how when she first got married, she would get all done up and have a cocktail ready for my dad when he came home from work. Iris is from the same generation as my mom, and she enacts a similar scene. And then in a larger sense, my mom has told me about the great agony she felt when her mother was dying in regards to intervention and resuscitation, and this was on my mind in the flashbacks of Iris and Sam.

Which character—Sam, Violet, or Iris—did each of you connect with the most? Why?

Jane: My younger self of fifty years ago strongly identifies with Sam in her relationship to her baby, in her procrastination and lack of focus in returning to her creative work, and in her guilt and subsequent self-chastisement over the aborted Down syndrome fetus. But it’s Iris who is closest to my own age and who has faced some of life’s tougher moments. She’s accepting and talks to herself in a down-to-earth way, without self-pity. Her self-admonishment to “buck up” is one I plan to adopt. It very much suits those of us who are facing our eighties.

Rae: Violet is very unlike I was as a child and, in that sense, she is the most fictional of the three characters. Iris definitely has some of me in her, though she is in such a different stage of life. So I have to say I connected most with Sam, since her character sprang from some of my experiences as a new mother, particularly the anxiety about where creative pursuits fit in after motherhood. From the outside, her life is similar to mine.

Iris mentions that the relationship between her and her daughter has grown closer now that Sam is an adult. Jane and Rae, how has your relationship changed from when Rae was younger versus now?

 

Jane: When a child has become a responsible adult, there is little responsibility for the mother to guide or instruct. Rae and I are friends and, as such, tolerant of each other’s differences and all the best that friendship infers. We are each committed to a helpful, thoughtful, appreciative, and always loving relationship toward each other. Rae was an appealing, charming, loving child. She remains so to this day, only the package is taller.

Rae: Thanks, Mom. I think our relationship has grown into an adult friendship, which I have come to cherish and depend on. My mom is such a neat woman: an accomplished painter, a writer of lovely old-fashioned letters, a believer in alternative medicine and health long before it was fashionable, a person of great faith, a true original.

As I get older, I have really come to appreciate that she finds joy in the everyday—she’s happy puttering around her house and garden. I also love that my mom had a renaissance later in life when she came into her voice, and she is unapologetic about speaking what she believes in, which makes her a great person to talk to.

Rae, how difficult was it to write about the struggles of being a daughter—and a mother—knowing that your mom would eventually read it? Did you find that the writing process became harder with this in mind?

Rae: My mom has always been my most ardent supporter, so I didn’t hesitate in exploring the mother-daughter dynamic between these characters. Luckily my mom is not like Iris or Violet as a mother, so I wasn’t too worried that she would see herself and possibly be hurt by the book. Besides, she survived me writing about an escort service in my first novel, so I figured she would be okay with this one!

Rae has mentioned in interviews that she tested the incredible pound cake recipe that Sam discovers in her mother’s things. Would you each mind sharing some of the traditions or secrets that have been passed down in your family?

Jane: We celebrate Christmas, Thanksgiving, and the Fourth of July with family (grandchildren, parents, grandparents) accompanied by the usual homemade, open-faced apple pie. We also make caramel apples in the fall using twigs from the garden for sticks.

Rae: Food traditions come to mind for me, too. One of my favorites is eating pie for breakfast. My mom makes incredible pies—apple and cherry are my two favorites—and there is nothing better than coming into the kitchen the next morning and seeing leftover pie (and beating my sisters to it). And my mom used to make rice pudding, the same that her mother made. Unfortunately my daughter is allergic to dairy and eggs so I’ll have to work on a revised recipe.

Each generation of women in Mothers and Daughters struggles with the burdens and joys of being both a mother and a daughter. What do each of you think is the most rewarding part of being a mother? A daughter? The most difficult?

Jane: The most rewarding part of being a mother for me is the unending joy of loving unconditionally and nurturing an offspring, and the most rewarding part of being a daughter is to be the recipient of unending unconditional love and nurturing. I suppose I’d have to say the most difficult part is when complete independence arrives and children leave home. It’s gratifying to watch children grow into healthy, productive adults, but at the same time, acceptance of their independence, along with the realization that you are no longer the center of their world, carries with it a wistful sadness for what used to be and will never quite be again.

Rae: I would agree with my mom about the rewards of being a mother and a daughter. The most difficult thing for me, because of the depth of love I feel for my mom and my daughters, is the fear of possible loss. Also to see struggle in your mother or your daughter is very hard when you are powerless to do anything about it. I explored this some in the relationship between Sam and Iris.

As a mother, there is always that fear of having your children repeat your mistakes. What things did you try to avoid passing on to your children? What advice or wisdom have you tried to instill? ?

Jane: I don’t remember imparting any earthshaking advice. I suppose I thought to teach by example, as my own mother had. It was, of course, a given that there would be no drinking, smoking, or drugs.

Rae: Can I just say when my mom first read this question she said, “But I didn’t make any mistakes.” She was joking of course, but in a way, she’s right. I had the luxury of having a stay-at-home mom who loved being a mom and exuded contentment, and was unendingly supportive. My sisters and I were incredibly lucky. Though her advice on clean living I’m afraid I didn’t quite follow in my younger years. (Sorry, Mom!)

Related Posts Plugin for WordPress, Blogger...